
Every
family has a "Maude" somewhere. Only CBS has her once a
week. The "Maude" of my acquaintance is limited to two telephone
calls to my wife and one dinner a year. Any more than that and I would
probably be a prime candidate for a Murder One rap.
However,
you can get a vicarious thrill with your feet propped up on a hassock
watching Beatrice Arthur order those about her around with impunity
and enjoy -- because she isn't in your life except for that 30-minute
period each week.
If
there is any danger in Maude, it is that she may become a basic training
ground for all the latent Maudes in our society: Let's face it, they
have their place, but I wouldn't want one to marry my brother.
If
anyone could have brought the larger-than-life character of Maude
to vivid reality, it is Beatrice Arthur. And much has been written
regarding the characterization of Maude as the alter-ego of that other
CBS blockbuster, "All in the Family," and its star, Carroll
(Archie Bunker) O'Connor.
The
depth of these two roles is underscored by the fact that both Miss
Arthur and O'Connor are well-trained professionals, having mastered
their craft in both serious and comedic roles before ever heading
up a TV comedy series.
A
lesson may be learned from this by those whose job it has become to
cast leads in television series.
Miss
Arthur was born in New York and graduated from Cambridge (Md.) High
School. She holds a degree from the Franklin Institute of Sciences
and Art in Boston. After studying for several years wuth Erwin Piscator
at the Dramatic Workshop of the New School for Social Research in
New York, Miss Arthur made her professional debut in 1947. (And God
is going to punish me for publishing the year -- right Maudie?)
Through
the years, Miss Arthur kept busy either in New York or working summer
stock while polishing her talents. When not on the boards, as they
say in the acting business, she worked her own nightclub act and was
a headliner in spots such as The Blue Angel, Reuben Bleu and Number
One Fifth Avenue.
Miss
Arthur's television appearances range from spots with George Gobel,
Sid Caesar and Jack Paar to continuing roles in the madcap antics
of Wayne and Shuster when Ed Sullivan thought they were the funniest
men alive.
Although
the characterization of Maude as interpreted by Miss Arthur is the
main cog of the successful show, no piece on its rise should be written
without mentioning the tremendous role played by Bill Macy.
In
the series he plays Walter, Maude's fourth husband, and for many viewers
-- myself included -- he makes the show go.
The
Maude in my family, incidentally, is a widow.
*from
the Seattle Post-Intelligencer TV Prevues, December 10, 1972